7/14/2023 0 Comments Carl john franz reacts![]() ![]() In summer 1802 Field and Clementi left London and went to Paris on business. Field's first official opus was a set of three piano sonatas published by (and dedicated to) Clementi in 1801. 1, H 27, was premiered by the composer in London on 7 February 1799, when he was aged 16. His first published compositions were issued by Clementi in 1795 the first historically important work, the Piano Concerto No. He also took up violin playing, which he studied under J. Field continued his studies with Clementi, also helping the Italian with the making and selling of instruments. Around 1795 his performance of a Dussek piano concerto was praised by Haydn. This arrangement was made possible by Field's father, who was perhaps able to secure the apprenticeship through Giordani, who knew Clementi.įield continued giving public performances and soon became famous in London, attracting favourable comments from the press and the local musicians. By late 1793, though, the Fields had settled in London, where the young pianist started studying with Muzio Clementi. Flood also asserted that Field's family moved to Bath, Somerset, in 1793 and lived there for a short time, and this too is considered unlikely by modern researchers. Grattan Flood, Field started composing in Ireland, but no evidence exists to support his claim. He made his debut at the age of nine, a performance that was well-received, on 24 March 1792 in Dublin. Field first studied the piano under his grandfather (also named John Field), who was a professional organist, and later under Tommaso Giordani. His father, Robert Field, earned his living by playing the violin in Dublin theatres. Notable students include Prussian pianist and composer Charles Mayer, the Franco-Russian composer Alexandre Dubuque, and Polish pianist and composer Antoine de Kontski.īiography 1782–1801: Early life Ī plaque commemorating John Field in Golden Lane, Dublin.įield was born 26 July 1782 in Golden Lane, Dublin, the eldest son of Irish parents who were members of the Church of Ireland. Although little is known of Field in Russia, he undoubtedly contributed substantially to concerts and teaching, and to the development of the Russian piano school. ![]() Ambiguity surrounds Field's decision to remain in the former Russian capital, but it is likely that Field acted as a sales representative for the Clementi Pianos.įield was very highly regarded by his contemporaries and his playing and compositions influenced many major composers, including Frédéric Chopin, Johannes Brahms, Robert Schumann, and Franz Liszt. Together, master and pupil visited Paris, Vienna, and St. The family moved to London in 1793, where Field studied under Muzio Clementi, and under whose tutelage Field soon became a famous and sought-after concert pianist. He was born into a musical family, in Dublin, and received his early education there, in particular with the Italian composer Tommaso Giordani. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment. Und es gelingt somit, was Walter Benjamin der reproduzierten Kunst absprach: es entsteht eine neue Form von Aura.John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer, and teacher widely credited as the inventor of the nocturne. Es ist der Reigen der Stücke, wie eine Versammlung subtil empfindsamer Geister, der den Zauber dieser CD ausmacht. Bach-Fantasie durch ihre über allen Zeiten stehende Kühnheit auffällt und zu Recht als Eingangsstück ins elegische Reich gewählt wurde). Und solche Pianisten gibt es nur noch wenige.Man kann aus der ausgesucht schönen Zusammenstellung der Werke wohl kaum eines oder eine Interpretation besonders herausstellen (wenn auch die C.P.E. Überlegenheit in technischen Belangen paart sich mit geradezu demütiger Sicht auf die kleinen Welten dieser Klavierstücke. Was für ein wunderbar intensiver, zart fühlender, innig gestaltender Pianist ist doch Alexei Lubimov! Bis in die letzten Fasern ist er Musiker, nicht Demonstrant des Klavierspiels. ![]() Bach-Fantasie über Liszt bis zur Mozart-nahen Traumsequenz Valentin Silvestrovs (Der Bote) wie mit einem unsichtbaren Band verbunden.Diese Klavier-Aufnahme mit elegischen Stücken aus drei Jahrhunderten zählt zum Außerordentlichsten, was in der letzten Zeit aufgelegt wurde. Eine Welt entsteht, als seien alle Stücke von einer C.P.E. Es ist ein Kosmos aus ganz unterschiedlichen Gestalten, die sich aber in einem anderen Reich die Hand geben. ![]() Dem Label ECM gelingt es immer wieder CDs zu veröffentlichen, die nicht nur Stücke aneinander reihen, sondern selbst einen eigenen Kosmos aufbauen. ![]()
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